Workshop Files & Settings for Barefoot Contessa Photo Adventures
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Digital Photography
Programs, Files, & Settings for Our Workshops

Passing Season © 1988 Zann and Pinkerton Photography.  All Rights Reserved.

There are several files, programs, and settings that you will need for your upcoming workshop. Please download and install these onto your computer and check in your camera menu before you arrive in order to make best use of your time at the workshop. If you download the programs a week oe less before the workshop, you will have a chance to play with them afterwards.

Suggested Downloads:

  • Adobe Photoshop Lightroom 3.x (You'll have to establish an account for the free, one-time, 30-day trial download which is easy to do.)
  • Lightroom 3.x is a memory hog, so read the information on our Imaging Programs page first.
Optional Downloads:

For those who work in CS5, that we also use, there are a number of plug-ins that we find useful (many have trial versions), including:
  • AutoPano Pro by Kolor (for panoramic stitches, that I often prefer over CS5);
  • Denoise by Topaz (to reduce noise in files, overall better than Noise Ninja below but much slower);
  • Digimarc (digital watermarking);
  • Genuine Fractals by onOne Software (enlarge images);
  • LensDoc by Andromeda (correct lens distortion and compositional perspective);
  • Noise Ninja by PictureCode (to reduce noise in files);
  • PhotoKit Sharpener by PixelGenius (sophisticated sharpening in layers);
  • Photomatix by HDR Software (terrific HDR program that has a 30-day trial version with a watermark but that is much better than Photoshop's feature); it also has a plug-in for Lightroom; and
  • Silver Efex Pro by nik (great b/w conversion) that also has a plug-in for Lightroom.
While CS5 has incorporated some of these features into its program, a really good plug-in can make life easier. Often, as with Photomatix, there is a trial version you can download. These are not required, only interesting programs to explore.

Camera Settings

Don't forget to bring along your camera's manual! For those who find the Japanese manufacturers' instructions a bit daunting, consider buying the Magic Lantern Guide for your camera model. They are actually written in English for English-speaking people by English-speaking people, rather than being translated from Japanese into English by Japanese. Magic Lantern has manuals for most any camera. Before you get to the workshop, be sure to check your camera's settings:
  • For the workshop, you will want your Image quality set to RAW (if your camera has that capability) — every camera's menu is different, but you may find this in your Shooting Menu (the little camera icon); for those without RAW, please select the TIFF setting or highest-quality JPEG if there is no TIFF;
  • Select a bit depth of 14, if you have it, otherwise 12;
  • You will also want to make sure your camera's Color space is set to Adobe RGB (1998) rather than sRGB — you may also find this in the Shooting Menu.
Monitor Calibration

If you calibrate your monitor, make sure it is set to a white point of K6500 (6500 degrees Kelvin) and a Gamma of 2.2. If this is Greek, don't worry, it probably does not apply to you!

Blog Articles (http://BCphotoadventures.wordpress.com)

© is for Copyright

An introduction to copyright and why it is so important, even for amateurs.

Digital Asset Management

Digital Asset Management, for those who don't know, is the hopefully-efficient process that takes your digital images from your camera to your computer, processes them, and catalogues them. There is a four-part series on this. Start at the bottom for the first (oldest) article in the series.

Lightroom


For an overview on Lightroom, check out this series and start at the bottom for the first (oldest) article.

Making "Mistakes
"

Too often, we are afraid to make mistakes.  Without daring to try something new, we can't move forward.  For more on this, read this blog.

Tripods & Ball Heads


We are always amazed at how many people will spend thousands of dollars on their camera equipment, then chintz on their tripod and ballhead. Too often, we have seen people nearly lose their cameras, because they are using flimsy tripods that are not rated to carry the weight of their equipment.  We also see and hear the frustrations of photographers who don't use a true ball head; instead, they have one of those two-handled, multi-knob varieties that don't afford the versatility and speed necessary to effectively photograph.  For more on this, see our blog on the subject..

Your Brain

Don't laugh! Your brain is one of the most important tools you have. If it is frazzled and on overload, it doesn't function well. Try to come to the workshop as rested as possible. It is not always possible in today's frenetic world, but you will get that much more out of the workshop if you can manage to get some quality sleep before arriving.
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Page last modified:   July 30, 2010

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